THE LAST YEARS OF BARBARA VILLIERS - COUNTESS OF CASTLEMAINE - NOW DUCHESS OF CLEVELAND : THE AGING KING WITHOUT AN HEIR LOVES AND VISITS ALL HIS CHILDREN BY SEVERAL MISTRESSES

1668 : Barbara Villiers moved into her new home with her three youngest children, Henry, Charlotte, and George.  Anne and Charles, the two eldest, were in school. The King visited every day but it was generally understood that the King and his longest enduring mistress, Barbara, were just friends! Meanwhile Moll Davies was set up lavishly and also had a child and Nell Gwynn would soon, in 1670, also have a child. He loved his children and made visits to them and their mothers frequently. It was clear he would never have an heir with his Queen, Catherine of Braganza. The King, in an effort to placate Barbara, gave her another title - Duchess of Cleveland. 

In 1671, though Barbara had begun to take lovers at will, she became the mistress of John Churchill, who was a few years younger than she was. She would have a daughter she named Barbara Churchill. Barbara Villiers was in her early thirties and had experienced many pregnancies and as her children with the King grew up, she became concerned with their educations and arranging marriages for them.

Whatever problems that the King's advisors and friends had caused Barbara and her relationship with him over the years, the King kept on giving them honors and her children were desirable when it came to marriages. There was even a competitive spirit when it came to matchmaking.

Excerpt: ... Arms were granted to Anne and Charlotte, who were made Lady Companions of the Order of the Garter, and all three sons were granted arms, crests  and supporters. 

Excerpt page 153 from The Illustrious Lady by Elizabeth Hamilton

Six months after she became a Duchess, the King granted his mistress the house at Nonsuch with its surrounding parkland, with the remainder to Charles and George.... In 1673 her fortunes continued to augment with astonishing rapidity. Camouflaged as usual in the form of gifts to her uncles, the Duchess's new acquisitions included lands in the Duchy of Cornwall, a warrant for 5000 pounds as a free gift, as well as wine licenses....

***

Barbara's husband, Roger Palmer stayed away... Barbara, also concerned with her estate acquired other properties as gifts from the King and her own business dealings.....

In 1685 the King died a natural death, likely heart failure. The King expressed the desire to become a Catholic on his death bed. James II would follow and William III in 1702. Barbara lived through so many historical changes. In 1705 her husband Roger died. They had been married over forty years. Perhaps surprising to everyone Barbara married again, just months after Roger's death to Robert Fielding, another Catholic.  Fielding pursued her and soon enough began to fleece her. Discovering this she raged and he beat her. She charged him also of bigamy but the verdict was that the marriage was void. He got a pardon from Queen Anne. She was humiliated.

In August 1709, Barbara made her will and died within a few weeks of her sixty-ninth birthday. She had swelled with water (sometimes a symptom of cancer) and had finally lost her looks. 

As I survey the genealogy charts that appear on the Internet beginning with Barbara Villiers, I see that one of her daughters is said to have born at least eighteen children.  These days, I do wonder what DNA testing would prove.  Was her last child Churchill's, the King's? 

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BARBARA VILLIERS PREGNANCY CRISIS : A VOLATILE LADY GETS A KING TO BEG FORGIVENESS BUT HE HAS TAKEN UP WITH OTHER MISTRESSES : MOLL DAVIES, NELL GWYNN, AND LOUISE DE KEROUALLE

Was Barbara Villiers on the way out or King Charles II's favorite? Knowing she was living this controversy, Barbara decided to create a situation in which the King would be tested. The two of them did sometimes have a violent argument and this time, pregnant again, the issue was the paternity of the child she was - yet again - pregnant with. The King was having financial problems, his advisors had less influence on him that she did but he had not slept with Barbara in several months, but she insisted that he accept the child.

Excerpt page 105 from The Illustrious Lady by Elizabeth Hamilton

Somebody had said that the Countess of Castlemaine in one of her rages was less like Medea than one of Medea's dragons...

***

This time, based on the King's behavior and Barbara's, it seemed like they were breaking up for good. She left the Palace and stayed close by until the King came begging for forgiveness. Meanwhile Frances Stuart, who had married and was now Frances, Duchess of Richmond, came back to London with her husband and was rumored to be back as the mistress of the King.  And other women were being introduced to the King as others attempted to distract him and gain influence, among them actress Moll Davies, and actress Nell Gwynn.  He would also have a son by mistress Louise de Keroualle. Rumor had it, also that Barbara had fallen in love with another man.

Excerpt page 117 from The Illustrious Lady by Elizabeth Hamilton

Lady Castle Maine was not 'frightened' by her new rival. As always, she had come to terms with the situation, she accepted the fact that she must share the King's affection and remained calm. She saw to it that in spite of the new threat from the world of the there she still extracted the full measure of reward for the trouble she took in bearing the King's children..... gossamer Moll and Cockney Nell would never usurp the position that the shrewd and discerning Barbara had made for herself in the inner circles of government and power.

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ACTRESS SOPHIA BADDELEY WAS SLOW TO ACCEPT FINANCIAL OFFERS CONSIDERING HER OWN IMPRESSIVE INCOME FROM ACTING AND SINGING

We continue with our book review-report...

The first man to take on Sophia Baddeley was married, Lord Molyneux. Still edging into the courtesan mentality, it bothered the actress that he was married.  Lord Molyneux persisted, suggesting she should accept him by offering to pay off all her debts and settling 400 English pounds on her per year. Her friends encouraged her towards him but, though the debts were significant, and she could spend, she considered that her singing and dancing brought her income to about 90,000 pounds a year in modern money. This was an amount beyond the possibilities for most of her peers in acting. She could afford her own private carriage, servants, expensive clothing, so why would she need him? 

She and her husband appeared on the same stages as actors though formally separated and that helped preserve her reputation some. When King George III was so taken with her beauty that he commissioned her portrait to be painted by an esteemed artist, society opened to her. The painting was called The Clandestine Marriage, though. She was invited to charity events and teas and was given more respectability. Noblemen began to pursue her, wanting the prestige of their association with her.

But, that was not all they wanted.

A hundred years earlier or so, in 1660, women had just been allowed on stage. Until then male actors played female roles.  An actress was thought to be a prostitute. Theaters, called playhouses, were in the hub of the prostitute's trade. Actresses experienced being kidnapped, raped, or entrapped in illicit "marriages." Actresses left the stage to become Kept women.  King Charles II was the person who had reestablished theaters in the mid to late 17th century and he himself had taken two mistresses who had been actresses, Mary "Moll" Davis, and Eleanor "Nell" Gwyn.  So there was a precedent set. 

However, by Sophia's time the roles actresses played had also changed; less foul mouthed, not so sexual.  There were basically better roles, roles women in the audience could relate to so that they too became fans. As the roles got better, the reputations of actresses improved as well.

Soon enough a new pursuer, Lord Melbourne, twenty-one, recently married, and very rich, came into Sophia's life. Once again, because he was married, Sophia refused him.  First he sent her a 'present' of about 18,000 modern pounds, then came to call upon her himself, leaving thousands more, and then again, till he had given about 50,000 pounds.  He said he would spend his whole fortune on her if that was what it took to possess her.

Though she was rich in her own right, Lord Melbourne prevailed and Sophia took to spending his money on fine things - silks - diamond earrings - which added to her costumes.  She had a habit of giving things away to anyone who complimented her.  Before she wore her garments three or four times, she handed them off to servants who appreciated them.  Sharing her wealth made her popular with the people who worked around her.  However, she grew bored of Lord Melbourne, his presumptions that he could show up at any time and that she would have sex with him that was not satisfying.  She preferred him away.

Page 45: "As Sophia surrendered herself to this life of extravagance and luxury, the toils of her theatre career began to seem increasingly irksome."

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