Showing posts with label MARY DE RACHEWILTZ. Show all posts
Showing posts with label MARY DE RACHEWILTZ. Show all posts

Wednesday, May 29, 2024

EZRA POUND and AND OLGA RUDGE : THE LAST YEARS

The last years of Ezra, fragile and in failing mental and physical health, were difficult ones for Olga, but ones in which she showered him with her love by care-giving as well as being concerned for his legacy as a poet and writer, and so much else.

Excerpt page 210:  

For many months, she (Olga) visited Ezra (at St. Elizabeth Hospital) almost daily, observing the scene with an artistic eye: Dorothy's "luminous beauty, with almost celestial Botticelli perfection, a winter rosebud with tiny touches of pink --- soft hair falling with a  golden aura about her face.: Silence surrounded Dorothy, she remembered but the refined English lady would surprise everybody by saying things quite of character...

And then there was 'the other lady." (Seri was witness to Olga's 1955 visit.) She was sitting at the right hand of Pound one afternoon when Dorothy failed to appear.  The Olga came, "a royal presence, with marble-like, sculptured features, her back stiff and erect, professional looking, a trained person. Her hair carefully 'marcelled; in waves, and she was wearing a lovely lavender and white summer dress, with matching lavender parasol to protect fragile skin against the summer sun.....

***

Ezra and Olga had an argument that suspended their relationship again  But when he recovered from the long illness that plagued him, they reunited and went back to Italy. And there, she became Ezra's caregiver. They had been a couple for over thirty years at this point and this time it was Olga who prevailed over Dorothy, who was invited to visit, and was living without Ezra. 

***

Excerpt page 239: 

After years of waiting, Olga at last had her prize.  One observer noted that "Miss Rudge was clearly the sea in which he (Pound) floated.  She cleaned, she shopped, she stoked the old stove.. And she appeared to enjoy every day with Ezra. "Why is it, in old age, dancing seems better? We had a gramophone, dancing with Him to Vivaldi was His idea!  After many lonely Christmases past, she now could enjoy the holidays with her lover  They saw the New Year in with "His new couch, Vivialdi, again on the roof, dinner on a tray, later chocolates and grog -hot" (Olga said.)

Their daily lives followed a familiar pattern: Ezra did yoga exercises before breakfast, "spontaneously."  Lunch at the Pensioni Montin or Cici, visits with friends, walks ... a light supper at home....  In the evening, Ezra often read selections from The Cantos."

Excerpt page 240:

During this era, Olga began to record Ezra's dreams in her notebook....

***

Their days were also full of visits and letters from many noteworthy persons in Literature, Poetry, Music, and the Arts.

In 1971 Olga and Ezra's daughter, Mary, published Discretions. In so many words, Olga was not described as a loving mother, but a disciplinarian who was strict and had high standards.  Olga was wounded.

Finally, Ezra's was dieing.  At first visitors came and then he was moved to a hosptial.  Olga was there. The morning of the day he died, she had thrown the I Ching and had gotten the prophetic message when the hexagram meaning Deliverance came up. More than 120 friends came to the funeral.

Excerpt page 260:

"Ezra Pound wished to be buried in Idaho," Olga noted, In view of the Sawtooth Range. He had made known in his writing to his Committee in 1967 but legally He was not free to manage his affairs.

And so Olga arranged it. And so his body was carried through Venice on a gondola and then she (Olga) sent a telegram to England that Ezra had died in his sleep to break the news to Dorothy  She had not delayed the funeral in time for Dorothy to attend.

When she herself could no longer live alone, her daughter Mary came and took her back to Germany and her home.  At near a hundred she was beginning to loose her memory. She lived to be 101.

MARY De RACHEWILTZ

Mary was the daughter of Ezra and Olga.  She married a noble and had children. Olga lived to have grandchildren and great-grandchildren through this only child.  In this video posted on YouTube, Mary talks a bit about her parents. 



Thank You for reading Mistress Manifesto!  Every book that is featured here on this blog is one I've read from cover to cover.  Anne Conover Carson's book is packed with details about Olga and Ezra's careers and the people who were influential in their lives.

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Thursday, May 2, 2024

OLGA RUDGE VIOLINIST MISTRESS OF POET EZRA POUND : WRITING LETTERS TO EACH OTHER BEGAN AND PRESERVED THEIR LONG RELATIONSHIP


WHAT THOU LOVEST WELL by Anne Conover Carson is a primary reference for this month's posts.


OLGA RUDGE
(Olga Ludovica (Louise) Rudge)
1895-1996  (one hundred and one years old!)

EZRA POUND  
(Ezra Weston Loomis Pound)
1885-1972

Olga outlived the love of her life by twenty-four years. She did not consider herself to be his mistress because, she said, he never supported her. That's attitude is of interest here at Mistress Manifesto as we attempt to define and understand unconventional and alternative relationships. Does being a Mistress require being Kept?  I don't think so! Both Olga and Ezra earned some money but also depended on money from family - in his case from his wife's - and patrons of the arts.

Ezra's grave is at San Michele cemetery in Venice, Italy. Olga was taken in my their daughter Mary when she could not longer live alone, but she was buried next to decades-long love.

***
Anne Conover Carson's book is about the love story of an accomplished poet and his accomplished violinist mistress, both American ex patriots, his fame enduring, her's not as well known. He was a married man who never divorced. She never married but when it came to their daughter, saw the positives in him divorcing and marrying her. Early in their relationship, but when she was closer to thirty than twenty, Olga made the exceptional choice to bear a child by Ezra and had a daughter they named Mary Rudge. Mary would have children and Olga, who lived to be 101, became a grandmother and great-grandmother.  

Olga Rudge experienced conflict with Ezra, who may have had narcissistic personality disorder and clearly had episodes of mental illness. He may have wavered in his intentions or may have keenly felt himself between his wife and mistress.  No doubt the women had to share him.

Ezra and Olga met in Paris at the famous salon held by Natalie Clifford Barney.   

Excerpt: page 3

Barney was some twenty years Olga's senior and was the leader of a freedom-loving and bohemian group of intellectual women in the early 1900's - Collete,  Anna de Noailles, and the spy Mata Hari. Another generation, Olga's contemporaries, succeeded them : English suffragettes, militant feminists and lesbians, tolerant heterosexuals and asexual androgyns. .......  Musical reputations were established at Barneys; salon, and Renata Borgatti, Olga's accompanist, incited her there after the two women returned from a sun-filled action on the Isle of Capri.  Olga recognized Ezra, the tall American wearing a signature brown velvet jacket, as someone she had seen at concerts in London the year before.  

***
In 1895 when Olga Ludovica (Louise) Rudge was born in Youngstown, Ohio, of Irish heritage, it was a polluted mill town but boasted an opera house. Her mother, Julia, studied voice in London and Paris and had aspirations to have an operatic career but married at twenty-nine, then considered to be spinsterhood, to one of the most eligible bachelors in town. Olga's father's family traced their origins to 17th century England and had been Anglicans but had converted to Catholicism in Youngstown. In Olga's early childhood her mother was on tour. 

Olga didn't think of marriage as a career and hated Ohio. From an early age, perhaps influenced by her mother's attitude, despite her parents obviously traditional marriage, she had other ideas. In 1904, when she was nine, her mother sent her to boarding school in England. Olga saw the voyage and all else as a great adventure and was not resentful of being sent away to the convent. She was already learning to play the violin. In 1910 her mother moved the family to Paris and they began to vacation in Italy. Olga's was an advantaged upbringing, though the assumptions about her family's wealth was exaggerated.  Olga did need to earn a living and was able to do so as a violinist playing recitals and converts primarily in Europe.

Olga's first love began in Florence, where she fell for a young man named Egerton Grey, a friend of the family, who also lived an international life.  He went to one of Olga's concerts and then began to pursue her with romantic ardor but after he married and then annulled his marriage, she was left conflicted. Egerton was slow to give up on marrying Olga.

In 1910 Olga's mother decided it was time to send her to the Paris Conservatoire to study under Maestro Leon Carambat who was the 1st violinist at the Opera Comique. She moved the family - sans her husband who remained doing business -  into an exclusive and beautiful six story apartment building.  It could be said that Olga's had the perfect mother for her own aspirations.  Julia Rudge was perceptive, she honored her daughter's talent and sought her development as a musician, and she was a companion to her daughter who furthered their acceptance by society where important patrons could afford to support the arts and the artist. Olga started performing at afternoon teas, gaining experience in front of small audiences, and the patronage of important hostesses.   

Ezra Pound was married to Dorothy Shakespear, and English woman who was reportedly austere.  In January 1921, Ezra and Dorothy were living in Paris, though they also traveled to and lived in London and would move to Italy. Though he was 36, he and his wife rented and lived humbly, almost impoverished, on stipends from his publications, his wife's money, and contributions from his parents. Ezra had respect as a poet, musician, and all around creative.  American ex-patriots writer Ernest Hemingway and his then wife were visitors, the influential Gertrude Stein (who also ran a salon) was negative, but Ezra Pound was welcomed and admired at Barney's.  He and Barney had been writing to each other about literature and poetry for over a decade. Ezra wrote the score for an opera, his contribution to the new music trends of Paris just as there were new poetic rhythms. He was a pianist and also played drums. Olga was a violinist of talent and skill and her work in the new music of Paris in the 1920's composed by another American ex-patriot, George Antheil, was remarkable.

Pound met many important and famous artists and writers at the Barney salon. He had long been seen socializing around town without his wife and what must be assumed is that she was dedicated to their marriage but left alone quite a bit. They were childless when Ezra met Olga and there was speculation that Dorothy had never warmed up to sex. 

Ezra and Olga began a correspondence in 1923, which is known, but exactly when and how their love first bloomed or they began to have a sexual relationship or if continued one, or for how long is not. The evidence of it is the birth of their only child, Mary. (Mary de Rachewiltz was her married name.)

Please check in again here at Mistress Manifesto as I continue the story of Ezra Pound and Olga Rudge!  Can you understand their unconventional love?  

Here is a question I have, which ties into our exploration of defining Mistress. I've heard of this relationship called a 'menage a trois' but I think that is incorrect, unless there is evidence that Dorothy and Ezra and Olga went around together, and perhaps included sexuality in the relationship.  Yes, at one point the three of them lived uncomfortably together, but only out of necessity.

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The introduction of this book mentioned the names of people who have already appeared here at Mistress Manifesto. I just knew this was my kind of book, and the kind of book that my loyal readers would want to read. If any of the books I've read and featured here at Mistress Manifesto appeal to you, please do the authors the honor and get a copy!

These archived subjects may be of interest to you. Living in Italy, Olga Rudge played her violin for Mussolini.  At Barney's salon, Mata Hari was one of the people she socialized with.  Isadora Duncan was a contemporary in Paris who mixed with some of the same artists.

November 2014
MATA HARI
Tantalizing Courtesan and Spy Who Got the Death Penalty

September 2015
NATALIE CLIFFORD BARNEY : Lesbian in Paris who Kept Other Women

You might also be interested in: 
February 2016
ISADORA DUNCAN
Mother of Modern Dance and Mistress of Paris Singer; She Did Positive Affirmations to Attract a Wealthy Patron

March  2011   
CLARETTA PETACCI
Mistress who Died By Hanging With Her Man, Italian Dictator Benito Mussolini