BREAKFAST AT TIFFANY'S - A KEPT MAN and A WOMAN WHO PAYS HER RENT WITH TIPS

IMDb BREAKFAST AT TIFFANY'S

 

AUDREY HEPBURN BECAME A FASHION ICON WHEN GIVENCHY

DRESSED HER FOR THE ROLE OF A WAIF WHO

REINVENTED HERSELF TO BE A SOCIETY GIRL.

 

The film came out in 1961 and is

considered a Classic Romantic Comedy but it funny?

 

The novel was written by Truman Capote.

Holly Golightly, a character writer Truman Capote is said to have loosely based on his own divorced mother's search for a new husband, is an adventurer in New York City who came from a hard, impoverished background that included being orphaned and then married at 14.  Run away to New York City, she depends on her youth, beauty, and personality, to survive and hopes to live her life the wife of a rich worldy man.  To do that she must dress right, make friends, and be seen in all the right places.  Is she really fooling anyone though when she jams all her posh friends into a plain apartment?

She has a neighbor, a once published author, make that writer, who needs a patron and has one, a rich married woman.  His keeper has furnished and designed his apartment and he has a closet of beautiful suits she has gifted him.  He spends his days on call and awaiting her visits.  He's kept.

 

These two, Holly and the writer, discover they understand each other enough to be friends and to not hold their lifestyles against each other, so in the scene where they actually enter the exclusive and expensive store, Tiffany's, and go shopping, it's humbling that all they can afford is to have something he already owns engraved. They've both had a taste of the life they can't afford on their own to lead but facing reality leads to real, realistic love.

 

The writer's break up with his rich married keeper is cold.  He gives her attitude. She needs to remind him that he was bought.  No love there.  Just sex on call.  (The worst!)  Holly's final goodbye to her ex husband is handled by her with more sophistication, while he leaves no doubt he was Mr. Wrong all along.

 

Holly is nearing prostitution, though she herself doesn't think of the enormous tips men present her so she can tip the washroom attendants at exclusive restaurants they take her to, as being paid for sex or the promise of sex.  She is a unique combination of pragmatic, goal-oriented, and a dreamer.  She has retained some of her innocence.  The film is careful to show her deferring promises, such as that she might actually pose nude, so we don't actually know if she has slept with anyone or is just expert at being an experienced woman who can keep men hoping.  Her men knowingly over tip her and remind her that she owes them.   She uses the money to just make her rent.  Dinner's out keep her from starving though, she sure is skinny.  The  text on the box of the old VHS tape I rewatched this film with calls her a "playgirl," but I think that might be a 1961 word choice.

 

Holly has goals and while she has not entirely escaped her past or lost her ability to feel, her precarious and financially desperate situation begs a resolution.  Snobbed because of her reputation, "settling," for the writer isn't so bad after all.

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BOOK REVIEW : FIFTH AVENUE 5 A.M. BY SAM WASSON on the making of BREAKFAST AT TIFFANY'S STARING AUDREY HEPBURN

AUDREY HEPBURN, the actress who became famous for charity work before her death, starred in "Breakfast at Tiffany's" in the early 1960's. Sam Wasson's new book "FIFTH AVENUE 5 a.m." isn't just about the making of the movie - though that is certainly covered - but also the way the film had impact on notions of modern womanhood.

Was the character Holly Golightly really based on TRUMAN CAPOTE'S real mother in her search for a husband? Was Audrey Hepburn the person, in her role as Holly Golightly, who made the color BLACK as in Little Black Dress, the garment of sophistication?

Page 127 says that Centuries ago, black dye was affordable only to the very rich. Black had been the color of death and worn in mourning. A woman wearing black was trying NOT to be noticed. Then CoCo Chanel designed the little black dress as a must have for sophisticated women.

In "Breakfast at Tiffany's" the character Audrey played was a woman who has had lovers, does not regret it, and does not come to a bad end because of it. So it was the beginning of the sexual revolution when it came out.

It was the time of Helen Gurly Brown's book "Sex and The Single Girl."

C 2017 Mistress Manifesto - BlogSpot All Rights Reserved including Internet and International Rights