MARI CALLAS BECOMES FAMOUS - NAZI OCCUPIED GREECE and THE LIBERATION CHALLENGE HER PERSONALLY : HER ATTITUDE ABOUT LOVE

From Chapter 3 and 4 of Lyndsy Spence's audiobook... My notes!  (In this we learn about Maria's take on love and marriage.)

Maria Callas, living in Greece, was already considered an artist and local star in 1943 when she sang at a benefit concert. Recognize in the streets, there was constant speculation about what man would become hers. She dealt with a seriously dysfunctional family, the demands of her superiors and the jealousy and gossip of her rivals at the opera. It is known that she had a romance with a man who she had known for a year, the son of a multi-millionaire who wined and dined her. Maria, whose sister was a Mistress being Kept by a man who supported her and her mother as well, did not want to feel obligated to return the "favors" in a sexual way. Her career was the most important thing to her. Like all of us, Maria was living through history, and in the Spring of 1944 the Nazi occupiers of Greece owned the National Opera. As she succeeded there were rumors that she was involved with an officer or a collaborator. She was in a terrible position. Sleeping with the enemy could put any woman in danger. Any woman living in that time and place was in danger of rape. The Greeks thought the German women were whores and the Germans were thought by the Italians to be barbarians... In tears due to accusations, she threatened to resign from the National Opera. But in October of 1944, came Liberation when the British and American troops came into Greece and Greece-based groups like the National Liberation Front and National People's Liberation Army took part in getting rid of the Nazi Germans. Dating but nothing serious, Maria, her family - most people, faced one of the worst winters in history.

Despite her career, the budding star was in danger of starvation. Having money didn't help because it was worthless. She saw a man die of starvation in front of her. National Opera members who had been collaborators were executed. Women who were collaborators - or suspected to be - had their heads shaved and were raped as punishment... The National Opera was closed. Then the Communists came into the mix and threatened to kill Maria and her mother and sister.  At one point they were down to a box of beans.

So there was Maria, who had struggled with eating and her weight, starving and afraid. Her mother found a job working as a Greek-English translator. But they were living in the "red zone" a dangerous area, and it was easy to be accused of something and pay the price, fair or not.  They lived without heat or electricity, behind drawn curtains, and burning rags for some heat during that brutally cold winter.  Finally a boy disguised as a vendor came to the house to bring Maria out of the "red zone" and into the British white zone. She left and the boy returned for her mother.  In the "white zone" she was able to wash in hot water and eat.  Though in 1945 peace was somewhat restored half a million refugees came into Athens.

Because Maria Callas was raised without a father in her life, there is speculation that this lead to her looking for a father figure in her romances.  She did begin a romance with an opera star who was about fifteen years older than she but denied going to bed with him.  He was married and already had a mistress as well, with whom he had two children. She was on friendly terms with both his wife and his mistress!  Sexual freedom was not a problem for him but she said she was an old fashioned woman.  In an ethereal way, Maria thought love was a kind of purification of the soul.  When he asked her to be his mistress, Maria declined. As she saw it a man might have more than one woman but a woman only had one man... She said she was not about to take him from two women and that she had to have to love with head and heart and only then could have sex. Her mother had a far away husband and a lover.  Her sister was a mistress. What was to happen for Maria? Despite the limitations that this friendship-romance presented, it ended badly, suggesting that Maria and the man were emotionally passionate.

When Maria was demoted at the National Opera and took a pay cut, something jealous rivals at the opera wanted, she secretly plotted her way back to the city of her birth - New York - and sought to make her dream of performing at the Metropolitan Opera true.

She had been secretly writing with her father since 1942 and when he became an American citizen, so did Maria. So, while she accepted the National Opera of Athens and signed a year contract with them in May of 1946, in August she went to the American Embassy where she was recognized as an American.  Still, she had to fund her travel somehow. So she leased a theater and did a farewell concert to earn the money.  She left with a couple dresses and not a cent in her pocket.  A loan from the United States government paid for her travel.

C 2024  Mistress Manifesto BlogSpot  All Rights Reserved including International and Internet Rights

MARIA CALLAS : HER TEACHER-MENTOR NEGOTIATES FOR HER BUT INSISTS SHE IS TOO FAT : THE YOUNG MARIA LIVES THROUGH WARTORN GREECE

Chapter 3 of Lyndsy Spence's book, Cast a Diva, delves on the very beginnings of Maria Callas' professional career and with the demands of her teacher-mentor at the Athens Conservatory, where she was as a scholarship student of sorts. Because she still needed income, Maria later stated - though the teacher-mentor later denied this - that lodging with the woman meant paying for the roof over her head with housekeeping and dog walking duties. While the Diva-in-training dreamed of someday singing at the Metropolitan Opera in New York City, where she had been born, her teacher threatened to dump her as a student if she did not improve her appearance. Loose weight, dress better, fix your hair; these were the expectations.  After all, she was being groomed to be a star.

This same teacher-mentor advocated for her to have income from the Greek National Opera, where she was signed for two years. Maria was to have a job - a steady income - and have her voice protected as she studied by not appearing in their productions. It was a way to get her in and expose the student to the behind-the-scene ways of the opera. Her contract was negotiated as she continued to study at the Athens Conservatory and live with her teacher-mentor. The teenager's career was being carefully managed or she was being controlled.

Her first advocate, her mother, Litsa, complained that Maria only spent her income on music, pastries, and ice cream and was out of control of her eating, just as her teacher-mentor arranged for her to have hairdressing, manicures, and dress making. 

Then war interfered in everyone's lives. In late October 1940, when Maria was about seventeen, the Italians invaded Greece and the Greco-Italian War began. Maria and her family thought to flee to Cairo, Egypt, but Maria was an American citizen and not allowed to leave Athens, which was relatively safe. She was called "That American Bitch" as she began to realize her own talent and fight for herself. She did get parts in the opera in Athens, despite her teacher-mentor's pleas that she be "protected." Then World War II began when in 1941 Germany invaded. When there was a bombing and air-raid sirens went off, the sensitive Maria would vomit. They stayed in Athens.

Still under the age of eighteen, having conspired with her mother to lie about her age, Maria did not report to the Conservatory when she was sexually assaulted and almost raped by a fellow student (never identified).  At home her mother was not sympathetic, only mentioning that if he had raped her then she would have had to marry him and end her career.

Such attitudes are crazy-making to us in Western culture in 2024, but are not unfamiliar to all of us who have experienced some form of sexual harassment during our careers. 

Her world was small. At the conservatory other students called Maria fat and ugly and boys teased her as unattractive. Her mother continued to sew Maria clothing. Maria might have been eating out of garbage cans. In the 1941-1942 era there were food shortages, rationing, hunger. The family ate bread. This too could put weight on and gave Maria the appearance she was not famished. Olive oil and potatoes were procured on the black market by the man who was Keeping her sister and the family. There was always rumor about who was a collaborator because someone had food. People began to die of starvation and eat horses and donkeys.

The Nazi's took control of the National Opera and then Maria lost her contract and income. She had borrowed money from them and then later that year she was reinstated and given the opportunity to be an understudy. Those who had been so mean to her were kept out of the loop.

It was snowing and cold and there was no heating fuel.  The Red Cross reported it. Jews were deported from Thessalonika. 

Yet, opera went on, three hundred miles from Athens, in Thessalonika, where there was begging and prostitution. Maria's virtue was suspect.  So was her sister's and mother's.  Were they involved with Italian officers? Maybe Maria fell in love with an officer? Or perhaps Maria simply was gifted and had not succeeded against all odds without being touched? It's believed that she came home with money for singing for the Italians, though her own mother assumed it was from prostitution.

C 2024 Mistress Manifesto BlogSpot   

All Rights including International and Internet Rights.

RUTH IRENE KALDER : MISTRESS OF NAZI WAR CRIMINAL AMON GOTH

OSKAR SCHINDLER

The Untold Account of His Life, Wartime Activities,

and the True Story Behind the List

by David M. Crowe

Westview Press - A member of Perseus Books Group

(The primary reference for this month's subject)

RUTH IRENE KALDER

Ruth Kalder started out as a secretary to Oskar Schindler at a business he had in 1942.  He brought her along to one of Amon Goth's luxurious parties at the mansion in which he lived in above the death camp at Plaszow. Amon, married with two children, is said to have fallen in love with her at first sight but also told her he would never divorce.  His wife and the children remained in Vienna. She was an actress from Beslau (today Wroclaw, Poland).  Amon was from a well to do Viennese publishing family.  It's said that he had two personalities, one the Viennese gentleman.  His legendary temper could turn fast. 

Ruth loved her rich life at the mansion above the camp.  Her days were filled with horseback riding, tennis, and sunbathing on the balcony that had a view of the camp, a camp she claims to have never visited.  For two years she lived with Amon, and while she may have somehow been blissfully unaware of the killings and whippings that occurred at the camp, many of them carried out by the violent man who loved to kill that she slept beside, she was not innocent of the way he treated his two Jewish maid-slaves, one of whom is depicted in the film "Schindler's List."  She stopped him from raping one of them, Helen, when she came upon his tearing off the woman's clothes off.  It's unlikely this was the first time the woman was raped by him.  One witness depicted in the film, Itzhak Stern, said that the maid Helen was "the most unfortunate of all the inmates at the Plaszow Camp" and that she suffered under Amon Goth "more than ten lifetimes." (Page 261)

Ruth called Amon by his childhood nickname, "Mony,"and is said to have adored him.  She would tell the daughter they had together, Monica Christiane, that he was a ladies man with a beautiful singing voice.  He was hung when Monica was 10 months old, and the truth about her father was withheld from her in her childhood. It became a long painful struggle for Monica to come to terms with the monster her father really was, but since research was being done around Oskar Schindler, she did interviews in which she said that Schindler could never have saved Jews if it were not for the friendship and cooperation of her father.

Ruth told her daughter when she was about 12 that her father only killed Jews for "sanitation" reasons.

 * Along with his wife, this number goes to about 1300.

MAYBE WE WILL ALWAYS WONDER HOW MUCH EVA BRAUN KNEW

Most of us today loath Hitler and Nazism, but there are still people alive today who were in concentration camps, who lost their families, who were victimized by the Holocaust and they can tell you that there was a time when plenty of people hated Jews enough to allow a mass extermination of them.

Hitler could not do what he did with lots and lots of cooperation.

Today there are those who deny that any of it happened, or who say that it was all greatly exaggerated. And there are those who say that EVA BRAUN was loved by Hitler because she was naive, a country girl at heart, innocent in her way.

Is it true?

Did she have any power in her relationship with Hitler?

IS SHE THE WOMAN WHO COULD HAVE STOPPED THE HORROR by whispering in her man's ear, "Baby, please no."

How many mistresses have power in their relationships?