Showing posts with label Mistress Manifesto. Show all posts
Showing posts with label Mistress Manifesto. Show all posts

Monday, August 31, 2026

FLORENZ ZIEGFELD HELPED LAUNCH MANY WOMEN'S CAREERS


 
The film came out in 1936 and featured a large and well loved cast of 
characters, in particular the leading men William Powell, Luise Rainer, and actress Myrna Loy.

It suggested the life of Florenz Ziegfeld, 
as a man who womanized, made a fortune but lost it, 
and who helped launch many a showgirl's career.

Ziegfeld girls often went on to pursue modeling, acting, 
and marrying or mistressing rich men.

Several of them have been featured here at MISTRESS MANIFESTO.

When it came to actresses, it was Mary Pickford who established United Artists, along with others. Clara Kimball Young was the next, and by 1916 many actresses had the same idea. They wanted more control over their careers, to expand, and to prosper.

Thursday, August 20, 2026

PAT POWERS ATTEMPTED TO LAUNCH PROTOGEE PEGGY HOPKINS JOYCE'S MOVIE CAREER

Excerpt page 131:  Joe (Joseph P. Kennedy) could not have picked a better time to make his debut as a movie mogul. The years 1926-1927 were one of the most prosperous periods in Hollywood history; almost every one of the 740 films made each year was a box-office success.  Movie-going had become a worldwide obsession. There were over 50,000 movie theaters around the world, more than a third of them in the United States and Canada.  Annual receipts in North America alone came to more than $120 million.

With Pat Powers, Joe plotted to fold the ailing Producers Distribution Corporation into Associated Exhibitors with the view of merging the fused entity with FBO to make an even bigger company. Joe was on the financial periphery of Pat's efforts to launch Peggy Hopkins Joyce, riding high on the success of his uninhibited and lavishly rich version of The Merry Widow, Erich Von Stroheim declined to take part in furthering of Peggy's screen career. Instead Micky Neilen (who Gloria Swanson had given up on in order to marry Henri de la Falaise) undertook the mission. The result was The Skyrocket, a thinly disguised retelling of Neilan's torrid affair with Gloria Swanson.

Excerpt page 164:  Soon after The Merry Widow was finished, Stroheim agreed to have lunch at the Ambassador with Pat Powers and the canny Irishman's new protégée, Peggy Hopkins Joyce. Powers wanted to launch the former Ziegfeld beauty as a film star. Stoheim, however, was still smarting from his experience with Mae Murray and was in no mood to start another ex- Broadway hoofer;s screen career.  Instead he hypnotized Powers with a project of his own, a double feature to be called The Wedding March and The Honeymoon that he would write, direct, and star in himself, and that would make tons of money for whoever financed it.  As he explained to Pat and Peggy, the appeal of his project was that it could be shown in two parts, tobe screened with an hour's intermission...

Missy here : As was and is often the case, a woman's career depends on being the protégée of a man, some patronage, and if he fails, so does she.

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Monday, August 17, 2026

THE SKYROCKET : PEGGY HOPKINS JOYCE IN 1926


This was Peggy Hopkins Joyce's first full length movie, as she had done "shorts" before
 and it was intended to launch her movie star career 
and allow her to be know for an accomplishment
 other than meeting, marrying, and divorcing rich men...

It's a rags to riches to rags again story.


According to author Axel Madsen, on page 131-132 of his book, Mickey Neilan had bought the Edendale studio from a bankrupt Harry Garson and Clara Kimball Young for $300,000, 
refurbished it, and with financing from Pat Powers made a movie about Hollywood, called The Skyrocket. The film was "a thinly disguised retelling of Neilan's torrid affair with Gloria Swanson!

Thursday, August 13, 2026

PEGGY HOPKINS JOYCE & CLARA KIMBALL YOUNG : ZIEGFELD FOLLIES SHOWGIRLS WENT INTO ACTING

In this passage from the book by Axel Madsen, a man named Pat Powers, nineteen years older than Joseph P. Kennedy,  who'd started out as a policeman, had become a businessman and had gotten involved in the nickelodeon business, in particular the Edison-Biograph company.  At the time a number of small companies were at war with each other to dominate the movie making business and the movie theater business. 

Excerpt page 99 :  Powers was a loner. He sold out to (Carl) Laemmle and for the next decade was in and out of film investments with a variety of partners. Known as a "bonus shark," he loaned production money at steep interest rates or became a participant in the profits. One partner was Lewis Selznick, the former jewelry dealer from Kiev who had persuaded his sons they were heirs to a kingdom, but who had lately lost his fortune. When he hadn't been able to pay a debt of a mere $3000, Selznick's enemies had forced him into bankruptcy. His sons, Myron and David, vowed vengeance.

Clara Kimball Young adored Powers and believed him to be the most wonderful, clever man in the world. He had lost money, however, by becoming a major stockholder in Equity Pictures. A year later he had invested $120,000 in one movie --- The Miracle Man with Lon Chaney --- and made three million dollars.

Now in his mid-fifties, Pat had become infatuated with the icy blond charms of Peggy Hopkins Joyce. She had distracted Mickey Neilan (who Gloria Swanson had once had a between-marriages affair with) and told (Charlie) Chaplin of her gold-digging days while skinny dipping with him on Catalina. Peggy had added MGM's frail wunderkind, Irving Thalberg, to her list of conquests, wanted Erich von Stroheim to write and direct a film starring his Peggy. Pat was courting the stormy, individualistic Stroheim because in The Merry Widow, MGM's current hit, the director had managed the feat of turning Mae Murray, another ex-Follies hoofer, into a star

Reflating the careers of former chorus girls was not among Joe Kennedy's ambitions in 1924....

Lewis Szelnick's mistress was Clara Kimball Young.

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Monday, August 10, 2026

EMMA MARGUERITE "PEGGY" UPTON BECAME PEGGY HOPKINS JOYCE THROUGH MARRIAGES : MICKEY NEILAN WENT FROM PEGGY TO GLORIA

In this passage, the way movie stars, directors, producers, and financiers intertwined in Golden Era Hollywood reminds me that it was once a very small town.

Excerpt page 79  Mickey Neilan swept her (Gloria Swanson) off her feet that summer with his madcap, brilliant, vivacious insouciance and his claim that there were only some 290 days before he was free to marry her. "After Herbert, how could I not love him?" she would ask. "After one afternoon with him, how could I not forget Craney Gartz and every other handsome man who had ever tempted me?  As Mickey waltz me into my first real love affair, it never occurred to me to utter a syllable of protest."


While waiting for his divorce to become final, Mickey lived like a young lord at the Los Angeles Athletic Club next to Charlie Chaplin, who was trying to escape the sensational charges surrounding his divorce from the teenage Mildred Harris.  Mickey's romance with Gloria was particularly torrid and came after his affair with Peggy Hopkins Joyce, a former Ziegfeld Follies girl who distracted him so much from his long and confused  Strangers Banquet that the  cast and crew had to wait two weeks after the starting date before Neilan showed up. The term "gold digger' had been coined in honor of Peggy around 1920.  Born Margaret Upton in Virginia, the bid blonde had arrived in Chicago in 1914, changed her name to Hopkins, and landed her first millionaire husband, Stanley Joyce.  Divorced with a million-dollar settlement, she had, in quick succession, netted four more millionaire husbands. Dressed in stylish mourning outfits, because Henri Letellier, a famous Parisian publisher and man-about-town, had just taken his life on her account, she had cruised into Hollywood with a three-million-dollar bankroll, bent on a movie career.  After Mickey's infatuation with her had cooled, he had introduced her to Chaplin, who used the story of her relationship with Letellier as a basis for A Woman of Paris.

Notes: Herbert Somborn was Gloria Swanson's second husband.  She had an affair with Mickey but decided on marriage to Henri de la Falaise, during which she had her relationship with Joseph P. Kennedy.

A Woman of Paris was Chaplin's movie that came out in 1923

Margaret Upton is an Americanization of her name given a birth : Emma Marguerite Upton

The Author was incorrect that Peggy changed her name to Peggy Hopkins. The name was a result of her second marriage.

in 1910 she married Everett Allen Archibald Jr., a millionaire. But she was only fifteen years old and so the marriage was annulled. (What kind of parents did she have?)

In 1913 she married Sherburne Philbrick Hopkins, a lawyer from a prominent and rich family. She left him to pursue acting and with his approval that she marry James Stanley Joyce.

in 1920, she married James Stanley Joyce.  She married two days after ending her marriage with Hopkins. This was her most famous marriage because of the story that she refused to come to him on their wedding night unless he wrote her a check for half a million dollars first.

During this era in Hollywood, in which Pat Powers, an associate of Joseph P. Kennedy, attempted to move Peggy into an acting career, she then married in 1924 to Count Gosta Gustave Morner, who she said was her first true love. They divorced in 1926.

Peggy had two more husbands in her life, years later. This information was culled from Wikipedia.  I note that her reputation as a "Gold Digger" came because of her many marriages to rich men, but also because she attracted other men who wanted to marry her, but I wonder if it was only that she was beautiful and charming. What about men who go after a woman knowing they may not succeed with her?

Missy.

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Sunday, August 2, 2026

Thursday, July 30, 2026

GLORIA SWANSON : A WOMAN OF SCIENCE and INVENTION

ANOTHER SIDE OF GLORIA SWANSON : While researching around Gloria and Joe, I found that the Library of Congress Blog included Gloria in it's WOMEN OF INVENTION website!

Excerpt: When the legendary screen diva Gloria Swanson died in 1983, she was 82 years old. Yet, for all the things she did–the multitude of lifetimes she seemed to live–it does not seem possible that one person was able to fit all of it in just eight quick decades. Consider what Gloria Swanson (whose legendary film “Sunset Boulevard,” from 1950, was among the very first films added to the Library’s National Film Registry) was: an actress, film producer, fashion designer (and fashion icon), acclaimed visual artist, best-selling author, newspaper columnist, businesswoman, health advocate, radio host, and television pioneer. And, even then, she still found the time to raise three children and marry (and usually divorce) six husbands!

Additionally, one aspect of her life for which Swanson should also be remembered is as an inventor, patent holder, patent facilitator/executive and humanitarian. It’s a quartet of labels that all arrived, more or less, together.

 Read all about it!

LIBRARY OF CONGRESS BLOG : GLORIA SWANSON WOMAN OF INVENTION 



Saturday, July 25, 2026

GLORIA SWANSON : SINKING MONEY AND TIME INTO THE MOVIE 'QUEEN KELLY' WAS THE BEGINNING OF THE END

Excerpt page 201 :  Gloria and Joe were having dinner on Rodeo Drive when Joe handed her a leather--bound copy of Stroheim's massive script and told her Robert Sherwood had finally read it and pronounced it the best film story ever written...  (Queen Kelly's script was originally entitled The Swamp.)  


Excerpt page 14 :  By starting their ambitious film project as a silent (film) four months after the release of the all-talking Lights of New York, producers Swanson and Kennedy and director Stroheim were extraordinarily careless, suicidal, or both.


The movie was worked on in 1928-1929 - the years in which the stock market fell and the Great Depression took hold. At the time technology for recording wasn't terrific and frustrated the actors and directors who had to carefully move on set to be near hidden microphones.  Sound engineers were trained by the telephone companies and if an actor turned his head away from the microphone they'd have to yell cut and start over. Some actors waited to see how it would all work out. Some actors lost their careers when the public heard what they sounded like. In some cases sound was added to silent film. All all-talkie was a film in which the entire film from start to finish had sound - the actors voices - background.


Excerpt page 205 : ... (A front page story read..) "Miss Swanson will appear in a few talking sequences and it marks the first time for her voice to be heard by the general public. She had never made any personal appearances tours nor has she ever spoken over the radio.: A Variety item a week later announced that Ben Glazer, the overseer with Le Baron of the Stroheim project, was working on the screen treatment of FBO's first talkie, a film scheduled to go into production in ten days.  Persistent rumors that Stroheim and Swanson did not see eye to eye on Queen Kelly were only laid to rest on November 5 when Motion Picture news reported that the film "went into actual production Thursday morning on location at the old Lasky ranch."


Another possible issue that might have delayed the making of Queen Kelly was that Joe Kennedy said that more than anything he wanted the two of them to have a child. Kennedy already had many children with his wife, Rose. Gloria said there was no way she would be willing to do that.  Yet, it is possible that she did become pregnant and had an abortion.


Excerpt: Queen Kelly, in the scheme of things, was an anachronism, a Gloria Productions film for United Artists, shooting on RKO stages because of its star's personal relationship with the ancien regime... and with each passing week, wearing out its welcome


In the end, Stroheim went way over budget and the money lost was significant. Queen Kelly was released as a silent film by United Artist in 1931. According to Wikipedia, it was released as a part-talkie in European and South American markets because of a contract she had with Stroheim and that version had a different ending - a different director and cinematographer - a year or so later.


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Friday, July 24, 2026

VIVACIOUS


 

PLANNED DOWN TIME NOTICE : MISTRESS MANIFESTO WILL BE "DOWN" AT SOME POINT IN THE NEAR FUTURE

To my regular readers!

After blogging for so many years, it's time to move MISTRESS MANIFESTO to a new theme and format. Although this, and some other adjustments, may happen quickly and easily, a day or so perhaps, I want you to know that I'm preparing for glitches or more time consuming actions. I will be trying to do technology updates bit by bit at first without disappearing from the Internet, but it's likely my tech will have more recommendations....

Missy




Wednesday, July 22, 2026

GLORIA SWANSON and JOE KENNEDY : THE WAY THEY WERE

 He was married with many children, she was married with two.

Excerpt page 194 : Gloria was very much one of Hollywood's own, and honored player of the movie colony's most popular pastime, a party-giving and party-goi9ng, but Joe was not.  His Catholicism and Boston sense of propriety prevented him from a too ostentatious display of his double existence  Though many in Hollywood would later make the comparison, Gloria and Joe were no Marion Davies - William Randolph Hearst twosome who flaunted their liaison.

For one thing, Gloria and Joe were both married with children. She was no starlet looking for  a sugar daddy; he, no elderly tycoon hopelessly in love with a chorus girl. She saw in him someone who was plainly going far, and she fell in love with his business savvy and can-do openness. He was the one man in her life she trusted when it came to money. To him, she was one of the most desirable women, one of the symbols he had grappled with all the way up from East Boston  He fell in love with a woman who was everything Rose was not.  Gloria was, first of all, fame --- a woman whose public personality spoke to people of golden youth and glitter.  To discover that she was also a creature of shadows was part of his lover's ecstasy. She was a woman of her own means, self-confident and elusive, possessed of a dignity that was both paralyzing and magnificent. In their intimacy, she was almost tomboyish --- terse and disarming.  Fun, too.

Excerpt pages 194-195 :

Smitten with her from the first meeting at the Savoy Plaza (Palm Beach - Florida) two months earlier --- with the idea of her as well as the fact --- he was not only giving her advice but smothering her with attention.  He loved uncovering the Gloria Swanson millions would never know --- the quiet, slightly weary person with soft hair and a dark, husky voice so different from the screen image, the woman who boasted that she'd never been kept.  None of her homes, he happily discovered, was a place into which friends casually dripped.....

They made love at his place. Here, he was in control of comings and goings of staff and underlings. On Crescent Drive (Beverly Hills), her waking hours were a series of disturbances by butler and maids, secretaries and assistants, and her moods ran in channels dammed up by her staff.  On Rodeo Drive (Beverly Hills - his place) order flowed effortless from the master.

Excerpt page 209 :

...When he had a moment alone with Gloria, he called her the most desirable woman, held her gaze with his electric blue stare, and said he couldn't wait to take her out that evening. She told him they had to be reasonable; they couldn't be seen together.  "We're business associates," he grinned.

"Business is done in the daytime if both associates are married," she said.
If you want to know the slightly more scintillating details - not pornographic but - certainly get yourself a copy of this book.|

In this passage, we note that Gloria Swanson had never been kept and was proud of that, as a woman who had earned her own for years. All Mistresses are not Kept, and all adulterers are not Mistresses, and so here we go again trying to define Mistress. It is the nature of the relationship that defines it, I believe, but in popular thought it's all about money and sex, as if love doesn't count.

Gloria Swanson's husband Henri moved into an affair with actress Constance Bennet.

Missy

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Monday, July 20, 2026

GLORIA SWANSON AND THE "BANKER" JOE KENNEDY : HE DID HIS RESEARCH AND WAS INTENT ON SEDUCING HER ... SHE LET HIM ...

Not only because he desired Gloria Swanson as a woman, but because he wanted this actress, perhaps the most famous and successful in the silent film era, to work for his studio and make money together.

Joseph P. Kennedy was the youngest bank president in the United States in 1914 when he was only twenty-five years old.  He had graduated from Harvard and was vividly aware of the discrimination against Catholics and the Irish. He went on to make a fortune in the stock market, and in real estate, and he wanted to add a Hollywood studio and movie making to his wealth portfolio. Though he had many a success in business, reading Axel Madsen's account, I couldn't help but think that he was overly confident that he could also succeed in Hollywood. He went after Gloria Swanson in a manner that would suggest that he had done some research and knew that she was in debt because of her own efforts to produce her own movies.

It's easy to vilify Kennedy but it would also seem that Gloria Swanson didn't resist his seduction.
Circa 1928  Joseph P. Kennedy invited Gloria Swanson and her husband Henri de la Falaise to come to Palm Beach, Florida, where he'd bought a house for his family. He was welcoming and so was Palm Beach society. Calling cards, invitations, parties in her honor, teas, receptions, and business meetings too. He was very proud of knowing her.  He also endeavored to get Henri out of the way. 
 
Excerpt pages 174-175: 

In retrospect, Gloria would remember the tact with which Joe made the offer that could make her husband distinct his own man and, if Henri was clever, rich as well. In her autobiography, her smile o gratitude to Joe when the two men came to a quick verbal agreement immediately precedes her account of how the next day she and Joe tumbled into bed. Her indebtedness to Joe no doubt softened, in her own eyes, the adultery that, since the kiss on the train, she knew was inevitable. In a reversal of the story of the biblical David, who sent Uriah into the most dangerous part of the battle so he could possess Bathsheba, Joe was ready to heap gold on the man he wanted to cuckhold.

Kennedy biographers would wax saucily on how Joe eliminated, with some permanence, the coveted movie queen's husband, but neither Gloria nor the Kennedy memorialists could explain how Joe was able to offer Henri a Pathe directorship in January when he didn't become a Pathe advisor until February. Gloria was, of course, writing for posterity, and by having Joe's generosity and Henri's opportunism preceded her surrender, she softened her image...

Henri would leave no memoirs of his own, and we can only speculate on whether it all passed over his head or whether he knew he was defeated and went for the proffered brass ring. ... he might have been the first to sense he was on a sinking ship and that his wife's impending adultery set him free, morally, to concentrate on enriching himself.

Joe's infatuation was hard to ignore. Others saw how he was dazzled and drawn by Gloria's presence, how his own success - Palm Beach, Gloria, the lot - all made him live beyond the rules, how she exerted an attraction that went beyond physical beauty.


Excerpt page 193 : ... (Circa 1928) ... (Joseph P. Kennedy) took over Gloria's life.  He arranged everything, including Henri's departures. The lovers had two distinct lives: one with each other when Henri was in France, another when the marquis was in town. Joe arranged his own existence so as to be in Hollywood when Henri was not and in the east when Gloria's husband was home.

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Monday, July 13, 2026

JOSEPH P. KENNEDY PRESENTS by CARI BEAUCHAMP ! MISTRESS MANIFESTO BOOK REVIEW

JOSEPH P. KENNEDY PRESENTS by CARI BEAUCHAMP ! 
MISTRESS MANIFESTO BOOK REVIEW

First posted May 14, 2009

Long wait for this new book from the public library but worth it! Joe Kennedy made a fortune in the movies about the time (1920's - early 1930's) that talkies and sound film came into being, leaving most silent stars in the dust! Read all about his outside of marriage relationship with actress Gloria Swanson... (Did his bail out of her misfortunes end in a rip off and personal betrayal?)





pages 276-277

...Rose (Kennedy - Joe's wife, mother of eventual President John F. Kennedy) never publicly wavered from her deep-seated belief that Joe's relationship with Gloria was purely professional... (Goodwin) was incredulous about Rose's "strange attitude" and concluded that "it is impossible to believe that Rose did not know," yet she had "willed" that knowledge out of her consciousness. it was "better perhaps to follow the pattern set by her mother long ago: to suffer in silence rather than take the enormous risk of shattering the entire family and bringing public disgrace upon herself and her husband."....

... Gloria too was shocked at Rose's failure to see anything untoward in her relationship with Joe. "If she suspected me of having relations not quite proper with her husband, or resented me for it, she never once gave any indication of it." Was Rose "a fool, I asked myself as I listened with disbelief, or a saint? Or just a better actress than I was..."

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Friday, July 10, 2026

GLORIA SWANSON AT THE HEIGHT OF HER CAREER : SHE FELT BLACKMAILED INTO AN EXPENSIVE DIVORCE BY HER HUSBAND AND THE HAYS OFFICE

Excerpt page 5 : In 1924, Hollywood movies were made on sets built on stages and back lots. Newfangled rear projection and process-screen photography even enabled characters to sit or stand in front of a screen and appear to be anywhere in the world.  To go overseas to make a picture was unheard of. ...


With the possible exception of Mary Pickford, who never managed the transition from  the girlish image that had made her "America's Sweetheart" to full screen womanhood, Gloria Swanson was the most popular  female celebrity in the movie-crazed mid 1920's. When, in September 1924, she sailed to Europe to make Madame Sans Gene, she was twenty-five, had starred in thirty movies - six in a row with *De Mille - and her leading men had included the great heartthrobs from Wallace Reid to Rudolph Valentino.


When Gloria Swanson wanted out of her marriage with Herbert Somborn, he and his attorney threatened her for $150,000: According to author Axel Madsen, De Mille was panicking too.  The Hays Office, as it was called, had instituted morality clauses in movie star's contracts with their studios, and a nasty divorce with rumors flying about her infidelity could end her career.  As a result, De Mille called a meeting and insisted that the divorce would have to be settled secretly as, though she could have charged her husband with desertion a year earlier, now her circumstances could threaten the entire industry! (pages 86-87)

Excerpt Page 87:  When the divorce papers were presented to her, she was tempted to sign it all without seeing her own humiliation spelled out in black and white.  She steeled herself, however, and began to read. Paramount was indeed picking provisions that awarded Herbert $70,000 because he ha "assisted in procuring" her much-improved contract. He was paid $35,000 in cash and another $35,000 in installments, deducted from her salary at the rate of $500 a week. There was more. To keep her job, she had to sign a morals clause waiver. Should she in the future "be charged with adulterous conduct or immoral relations with men other than her husband, and such charges or any of them were published in the public press," her contract would be null and void.  Angry and embarrassed, she signed and went back to work.


During her marriage to Somborn, from 1919-to 1922, Gloria gave birth to a daughter and adopted a son. She remarried to French nobleman Henry de La Falaise in 1925. She had her relationship with Joseph P. Kennedy during that marriage. She and Henry divorced in 1931.

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* Demille : Cecil B. DeMille - a movie producer and actor
** Herbert K. Somborn (m. 1919; div. 1922): President of Equity Pictures Corporation.

Wednesday, July 8, 2026

GLORIA SWANSON IN THE 1923 SILENT FILM "ZAZA"

Gloria Swanson was one of those few actors who was able to go from the acting - later considered exaggerated expressions to convey the emotions and story - necessary in silent films to the talkies, both speaking and singing as well as acting more naturally. Her career was roaring in the 1920's, the era of the flapper, and the New Woman. She married six times and had three children as well as being engaged in political and humanitarian causes in which she used her fame.


From 1914 to 1974 she appeared in films and on some television programs.

IMDb GLORIA SWANSON's FILM CAREER A long list.  Click here!


Gloria Swanson was the top movie actress in the United States for many years, unless you considered Mary Pickford. Pickford was not successful past the silent film era.

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Saturday, July 4, 2026

GLORIA SWANSON - THE PATRIOT and HUMANITARIAN



In the late 1930's and early 1940's, the World War II era, Gloria Swanson put at least $25,000 into establishing a company called "Multiprises," with the mission to help Jewish and anti-Nazi scientists and inventors to escape from Europe and set up in the United States. They were working to develop new technologies that would be useful to the United States military.

The actress would be considered a conservative today. She was a Republican who supported the presidential campaigns and of Wendell Willkie (1940, 1944), Thomas E. Dewey, and Barry Goldwater (1964). In 1964, she also spoke at a "Project Prayer" rally in Los Angeles, advocating for school prayer in public schools. In 1980 she activated for the Reagan-Bush presidential election. I speculate her attraction to the Republican party - as it was in those days - was because she was a self made business woman.

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This post is the result of Internet research. 

Wednesday, July 1, 2026

PLANNED DOWN TIME NOTICE : MISTRESS MANIFESTO WILL BE "DOWN" AT SOME POINT IN THE NEAR FUTURE

 To my regular readers!

After blogging for so many years, it's time to move MISTRESS MANIFESTO to a new theme and format. Although this, and some other adjustments, may happen quickly and easily, a day or so perhaps, I want you to know that I'm preparing for glitches or more time consuming actions. I will be trying to do technology updates bit by bit at first without disappearing from the Internet, but it's likely my tech will have more recommendations....

Missy

Tuesday, June 30, 2026