Showing posts with label Rudolph Valentino. Show all posts
Showing posts with label Rudolph Valentino. Show all posts

Saturday, September 12, 2026

CLARA KIMBALL YOUNG IN THE MOVIE "KEPT HUSBANDS"

I was thrilled to find the full silent film entitled Kept Husbands which Clara Kimball Young starred in, which was posted by a YouTube station called The Film Detective. It's a story about the rich and the poor, and in the end the woman who started out poor returns to her steelworker husband.

 

Why is it that "Kept" is a term used about mistresses, women who are supported by men they are not married to, while "Kept" is not used for a wife who is entirely dependent on her husband for financial support?  A stay-at-home wife and mother - a 'homemaker' - a woman who is entirely dependent on her husband, is honored. It's tradition. It's conservative.  And today, it's rare to be either!

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Tuesday, September 8, 2026

CLARA KIMBALL YOUNG : REDUCED TO SELLING HER JEWELRY : LEWIS SZELNICK WASN'T HAPPY WHEN FELL FOR HARRY GARSON and MARRIED HIM

Excerpt from the book : In this book author Axel Madsen writes that actress Gloria Swanson, married to Herbert Somborn of Equity Pictures, and actor Rudolph Valentino were friends. Two years earlier, in 1919, he had made the movie Eyes of Youth with Clara Kimball Young.  

Here's a clip from the movie from a YouTube poster Imperio Retro  


Excerpt page 83: Getting to know Valentino was a pleasure for Gloria.  He too, was caught in a miserable marriage. His wife was the dancer Jean Acker. He was an excellent horseman, and on Sunday mornings he and Gloria rode together in the Hollywood Hills. .... They talked about Eyes of Youth, the picture he had made with Clara Kimball Young two years earlier. Rudy felt sorry for Clara. She had been Lewis Selznick's mistress for years.  The reason Selznick had pulled the financial rug from under Equity Pictures * was that Clara had fallen in love with Harry Garson.  It was Garson who had persuaded Clara to produce her own picture. Now she was reduced to selling her jewelry. The Studios wouldn't touch her.


Missy here : It may've been that the increasingly powerful Selznick decided that Clara would "never work in this town again." However, I think we need to look at the changes in the movie making business that effected everyone, from various business deals that eventually lead to larger, more powerful studios that put actors on contract, the Great Depression, and the technology that ended the silent film era in which Clara Kimball Young had found her fame and rapidly moved to movies with sound.


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