Wednesday, October 16, 2024

MARIA CALLAS : METAMORPHASIS : THE END OF MARRIAGES andTHE BEGINNINGS OF A DIFFICULT RELATIONSHIP WITH ARISTOTLE ONASSIS

In her early thirties, soprano opera star Maria Callas finally lost the weight  that had plagued her and became fashionable. On stage she wore gorgeous costumes but it was now the time in her life to dress for her fans, the international public. In 1954 Maria went to a Swiss clinic where she accepted a new type of weight loss medical treatment; Special shots to stimulate the weight loss and injections into her thyroid. She lost 140 pounds and developed an hour-glass figure. She also had her teeth capped and surgery to slim her upper arms and lift her eyes. She had spa treatments like massages and facials. But the more fascinating fiction was the rumor that she had swallowed a tape worm in a glass of champagne out of desperation!

Then Maria Callas went out shopping and bought in excess. She possessed hundreds of dresses, hats, and shoes.

She was recording. She was performing. Her new beauty attracted to her even more men fans. Yet she was very married, and by the Italian way of thinking, however her confidence improved with her appearance, however "flirty" she might be at times, she was off limits.  Even if her marriage was one of "convenience" and her husband was rumored to go for fat prostitutes?

By 1949, Maria may have reached her most commanding and demanding phase, the Diva phase, you could say. She was having issues with her contracts, lawsuits had started to fly, and she was cast in the press as not just difficult, but a tyrant. However, she was also doing interviews and performances on television. Would we in our feminist consciousness think she was too demanding? Hadn't she earned the right to defy her husband as agent?

Her reason for living was singing but, some realized that her voice was in decline. After years of training and exercise, the sour or shrill note was noticed. In the 1958-1959 contract era, Maria Callas was fired from the Metropolitan, the opera company in New York that had been her goal in coming to America all those years before because she hesitated to sign the contract. However, she made appearances in many other cities in America and Europe and these productions might not have been the Met, but they were sold out.

And Maria Callas still wanted a child. Time was running out. She spoke of remarrying after her husband died just as rumors that she was infertile swirled. She was married when, after a performance, she met Aristotle Onassis and his much younger wife, Tina, who invited them to sail on the Christina, the Onassis pleasure ship. This first invitation was declined. Aristo's marriage with Tina had been breaking before he met Maria. Tina had two children with Aristotle but was bored with the jet set life style and her husband's abuse.

A society hostess, Elsa Maxwell, got herself into the situation, encouraging the two towards each other, and told Maria to take everything in life that was offered her. Meanwhile, Onassis' attitude towards love was that all women eventually had sex for money - so to speak.  Not outright cash but in exchange for jewelry, gifts, travel. He pursued Maria, claiming he was married in name only. She was flattered to be pursued by a man with such ardor, passion and intensity.  Maria began to have serious problems with her husband who she now considered to have been pimping her - as her manager. As confrontations with her husband increased, Maria was also not taking Aristo's calls. However, she well knew that the Italian attitude laws regarding divorce put her at a terrible disadvantage and then there was her career and reputation both as a woman and an artist.

The Principality of Monaco figured into the romance. The tiny principality might not have been officially owned by Onassis but he owned the casino and so the income into Monaco. And his boat, the Christina, named after his only daughter, was docked in Monaco.

Another invitation to cruise came from Onassis, who had the famous British Winston Churchill and his family aboard the Christina. This time Maria Callas and her husband, Giovanni Battista Meneghini, accepted the invitation.

Maria Callas and Aristotle Onassis had things in common. They spoke Greek together. She laughed at his jokes. They dined alone. The two of them went to a holy site of the Greek Orthodox church, the religion they both were raised in, knelt together, and received a blessing: Maria would consider this to be like a marriage. (Though not divorced, her Italian marriage was not recognized by the Greek Catholic Church.) Then, it was clear to others on the Christina that Aristo and Maria were having an affair. Tina Onassis used the situation to her advantage in asking for a divorce from Aristotle. But, had Maria misunderstood her seduction?  Aristo had told her of his sexual exploits and at the end of the cruise he gave her a bracelet which was his way when he was through with a mistress.

Ten years younger than her husband, but still an "older man," Aristo became Maria's obsession. Back home in Milan she immediately asked her Giovanni for a divorce. Since she was an American citizen, Maria wanted to have a fast American divorce, which, at the time, was fastest in the state of Alabama. (Tina Onassis too would consider Alabama.) Maria's husband was not going to let her go easily.  He showed his character by using threats of International shame to keep her married to him. To the public she stated that Onassis had nothing to do with the divorce. Maria's horrible mother threatened to put a curse on her, again not concerned with her daughter's happiness, only that Maria continue to earn and keep her family in money. As rumors of the affair became international, Maria threatened to kill her mother.

Was Ari the real reason for demanding a divorce - finally - when her marriage had been a disappointment to her as a woman? According to Lyndsy Spence, whose book Cast a Diva, is the prime reference for my posts this month, here at Mistress Manifesto BlogSpot, Maria did become pregnant by Aristotle Onassis.

I'm aware from other books that this has been a controversial question.  Some suggest that Maria had a baby in secret and the child was adopted.

In 1959 Giovanni Battista Meneghini did file for a legal separation from Maria Callas.  The Italian law was in his favor and if she remarried without an Italian divorce, she might be considered a bigamist. Italy had been of great importance to her opera career. She worried that if she had a child, her husband would take it from her. Onassis wanted her to have an abortion and it was rumored his wife, Tina, had abortions as well. Maria had wanted a child for years and so it must have been crushing when, around her fourth month, she either had an abortion or a miscarriage.

In Monaco Arstoi and Maria and been photographed dancing together. She announced that they would marry, which he dismissed as a joke. By 1961, Onassis had gone on cruises on the Christina without Maria but also with her. There were opinions that she was loosing her voice, but could any opera singer go on for decades? Onassis became verbally abusive of Maria, and it was her weight and her looks, the things she had so little confidence because of, that he picked on.

It occurs to me that Onassis was one to enjoy the pursuit of a woman and that Maria seems to have been far more serious about him than he was to her. Did he ever actually love her?

I will continue on in the next posts about Maria Callas and Aristotle Onassis...

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