
1786
She was afraid... Maybe she had not used contraception or he had not wanted her to or she was unlucky. Or maybe she had hoped to make Sir Harry Fetherstonhaugh give her a more formal arrangement or maybe even marry, her for it was not unheard of that a powerful or rich man would take a woman such as herself to be a wife. Harry did pay Madam Kelly to release her from any contract and set her up in one of many of the houses he owned in London. But she kept her pregnancy a secret for three months. Now that she was officially kept, she would only be able to go out on the town with a female chaperone or Sir Harry himself... But he was not much interested in visiting with her and was a no show while she waited. Secretly, he was going broke... Emma became desperate and clingy when she did see Sir Harry and he was furious when she told him the truth. She was sixteen years old and Harry put her out, abandoning her. She had to go back to being an "independent companion." As her pregnancy advanced she increasingly appealed to Charles Greville to take her as his Mistress and be her savior.
Still hoping the father of her child, unmarried as he was, would change his mind and at least support her through the pregnancy, Emma took to being the tragic heroine of her own drama. Greville took to being the one who owed nothing and had all the power. He wanted her only on his own terms which meant that she be loyal and faithful only to him and sever contact with any old lovers and give up the life of an escort and prostitute. When she finally went to Greville, a servant took her to a "laying in house" where she was secreted to have the baby.
Childbirth killed one woman in ten in those days but Emma made it through the birth to a daughter she also named Emma...
Excerpt page 80 : After birth, well-off women relaxed in their rooms, cosseted by the servants, showing off the new arrival to visitors while languidly sipping gruel tea, a special hot spiced wine mixture called caudal. Emma, however, had to return to Greville. Her daughter was boarded with a wet nurse, probably near the laying-in house. Greville aimed to ensure she would have few opportunities to journey into town and visit her child. he sent little Emma off to her great-grandmother in Hawarden as soon as possible. Emma knew what was expected of her; she had to pretend that her pregnancy never happened. Within a week or so she was traveling in a coach to a new home in Paddington, West London. There, she began to reinvent herself. Amy Lyon, the flamboyant would-be actress and extroverted girl about town, became Mrs. Emma Hart, just arrived from Chester, Charles Greville's quiet and terribly shy new Mistress.
In a village on the rural outskirts of London, Greville rented Emma a small house where she was to be retired and become exclusively his. Her mother Mary, only in her late 30's herself, was already there to live with her. Not only was Emma to go by Mrs. Hart, but her mother was to assume the name of Mrs. Cadogan. Greville had not the money or standing of Sir Harry but he was still a second son of Lord Brooke, who was made Earl of Warwick in 1759, and he still had the reputation of a man who spent money on women. He had been unable to attract a wife, especially not a wife who would bring money into the marriage from her family. He aimed to reform or inhibit or control Emma.
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While a servant in London for the Budd's, the thirteen year old Emma Hamilton met another servant - Jane Powell - who wanted to be an actress and would eventually succeed as one; the surname Powell came to her in marriage. Jane had also been fatherless and the two became best friends. Jane's big break in the theatre came after she attracted a rich patron who arranged for her to graduate from the minor roles she had accomplished on her own. Therefor, she, like Mary Lyon, Emma's mother, had the benefit of being a Mistress. The servant girls enjoyed free events such as parades and fairs and the parties that emerged and they were both fired from the Budd's after staying out all night. There was no security at all in being a servant girl. Meanwhile it is likely that Emma had to grow up fast and had probably lost her virginity as a twelve year old.
Excerpt page 39: Thirteen year old Emma already had the energy, beauty, and self-confidence that would carry her far, but such qualities had a darker underside - an addiction to glamour, a hot temper, and a desire to please by winning attention. There was no way that her life of drudgery could continue: she was too pretty and ambitious. On leaving the Budds, equipped only with a few dresses and one or two trinkets from admirers, Emma headed straight for the Drury Lane theater in Covent Garden, the most sensational spectacle in London.
In the eighteenth century in London, it's estimated one woman in eight worked as a prostitute. Prostitutes were part of the party around the theater scene. The price range for sexual services ranged from a few 18th century cents to thousands of dollars. Emma could not have been innocent of this fact. Author Kate William's description of the prostitution scene is one of street and tavern. It's implied that Emma may have been one of them as a teenager.
Painters also went looking for models and as it turned out, she was considered a perfect English beauty.
Excerpt page 52: ... She was snatched up by the two greatest portrait painters of the time: bitter rivals George Romney and Joshua Reynolds. Sir Joshua, foremost portrait painter of the age and president of the Royal Academy from 1768 to 1782, was well known for hunting in the brothels of Covent Garden for models, and it seems that he found Emma, perhaps before Romney. His Cupid Unfastening the Girdle of Venus shows a dark-haired, pale-skinned model who looks very much like Emma, her bosom exposed, wearing an almost transparent dress, languishing in bed while Cupid unties her sash... .... Emma appears to have modeled for one of Reynold's greatest paintings, Thais.... Thais being the Mistress of Alexander the Great...
The painting was such a sensation that the public demanded to know who the model was and was identified as "Miss Emily"... Emily hardly the typical name for a prostitute, the name implied a higher status. There is a possibility that already she was a Mistress, to Honorable Charles Greville. It was said that she had sat for the painting at his request.
At the time, according to author Kate Williams, modeling was undesirable work and possibly paid worse than prostitution. Artists were not especially kind to models and there were other painters and paintings which looked a lot like Emma.
As a result of her new found fame of sorts, Emma got a new gig. James Graham, a London entrepreneur, sex therapist, and showman, who believed in "the power of electricity" hired her for his Temple of Health. The spectacle at his townhouse, where people went for a cure, included electrical shocks, fireworks and explosions, music, and, also glamour girls in flimsy white dresses who danced around the treatment bed. Dancing at the temple is something Emma never denied as she did other suggestions once she was a Mistress to aristocratic men. The Temple featured a cure for infertility and Graham is credited with suggesting that a woman needed to orgasm to become pregnant at a time when many women saw sex as dutiful and only for procreation.
The Temple of Health itself attracted not just husbands and wives, but men and their mistresses. It might have become one more place of low paid prostitution. Emma quickly moved on to a brothel, Madame Kelly's, which was London's most exclusive.