Katie Hickman's book includes two of the women I featured here at Mistress Manifesto in the past: Harriet Wilson and Cora Pearl. However this summer we'll be focusing on two other women, historical Courtesans, who lived in England.
SOPHIA BADDELEY
Sophia Snow
1745-1786
Sophia Baddeley, according to author Katie Hickman, was an actress who could not act. Rather it seems that this gorgeous English woman made it onto the stage due to her beauty and became famous for being famous, though she did have some talent. Her personality counted too. She was adored by her fans and her fellow actors and the servants for she practiced a kind of trickle-down economics. Whatever clothing and jewelry she acquired, she was sure to give it away. In 1771, at the opening event of the Panthenon, a concert hall that did not wish to admit "undesirables" as the upper classes of society attended there, over fifty men, including nobles holding swords, threatened an uprising if she was not admitted to attend the performance. She had only become a courtesan as well as an actress a year or so before.
"Hers was an erotic beauty which had the power to bewitch both men and women, and which exerted that kind of charisma which, unless tempered with unusual reserves of moral strength and level-headedness, can hopelessly distort lives, and even unhinge the rational mind. ....Sophia Baddeley had neither the moral strength nor level-headedness. She was vain, spoilt, impetuous, lazy, spendthrift, only moderately intelligent, and possessed a great deal of sexual energy. She was also warm-hearted, affectionate, funny, mercurial, and generous to a fault.... it was impossible not to love Sophia. It is also clear that she was much beloved by many others, not just by her aristocratic admirers --- the majority of whom hunted her quite ruthlessly both for sex and for her fashionable cachet --- but by the ordinary people who came across her: her servants, her fellow actors, the everyday public who came to hear her act and sing, and who so relished the stories of her scandalous life and loves." (page 33)
Unlike some of the other courtesan's I've included here at Mistress Manifesto, who were born in poverty or who renamed themselves aristocratic names to suggest they had been born into a higher class, Sophia was born into a 'respectable' family. Her father, Valentine Snow, once worked as a musician for King George II and one of her grandfathers had been a Royal Musician. She and her brother were also trained in music, with the idea that she might play the harpsichord - clearly a genteel instrument. She could have married well enough and not lived through the life she did but her divergent path began with her marriage.
At eighteen, in 1864, she eloped with Robert Baddeley, an actor almost twice her age, but in 1770 they agreed to legal separation and then never filed for divorce. Robert was promiscuous and it would seem he never did have any expectation that the beautiful Sophia would be faithful to him. It was Robert who insisted that Sophia be given an acting part for a production at the Drury theater where he was well known. She went on as a stand in and then continued to appear in the theater's productions, including taking leading lady roles in Shakespeare's plays As You Like It and Twelfth Night. Five years into their marriage, Sophia was best known for 'genteel comedy.' Management hated to admit it, but she had draw and attracted audiences, never mind her acting. She could sing. She was hired to sing at other venues and paid the highest wage of any actress at the time!
While they apparently did not maintain attraction for each other, both Sophia and Robert had a variety of dalliances. When one, a Mr. Mendez, began to woo her, Robert pimped his wife out to the man and encouraged her towards him. Very slowly Sophia got what is thought of as a courtesan's attitude; she decided that she would accept the patronage or a rich man who would provide for her a lavish lifestyle while being sexual with him and it would be she who chose among the men who wanted her. She finally lost her heart though - perhaps for the first time - to a man who was a member of the Irish peerage - but poor - and then switched to his brother. This brother spent money on her. When he ran out of money, she took over paying their shared expenses. Then it was all too much and the debtors were after them. He said he had to leave her. She tried suicide by overdose and lived for the rest of her life with stomach ailments. She was not a person with strong health.
Sophia Baddeley, when first pursued as a Courtesan, was both protected in a sense by her marriage, her status, her career as an actress, and her ability to make her own good money, which was rare for any woman in Georgian England. However, when the main man who made all things possible, Lord Melbourne, lost interest, she quickly lost her status. A shopaholic, she had spent the fortune she was given rather than invest, was deeply in debt, and risked sinking into common prostitution. Unwisely, perhaps because the married Melbourne had been exceedingly generous, she had never had a legal contract with him for support that would last past his interest in her.
Sophia was a shopaholic, a person who dealt with the psychological and emotional stresses in her life though compulsive acquisition of things she really did not need.
Though she lived through falling in love with men who were opportunists and users, being betrayed and deserted by them, Sophia was able to survive without becoming a prostitute. She was able to support herself and her family which included three extramarital children she had with two other men, as an actress, far from London, in northern England, and especially Edinburgh, Scotland. In the end it was her fans who did not desert her and the career her husband had instigated for her was allowed her to persevere. Her health declined steadily and she died in 1786 at forty-one with consumption - TB - which she no doubt had for some time.
This month we will follow the courtesan career of Sophia Baddeley, and learn more about what life of a Courtesan was in the late 18th century, Georgian period England. Author Katie Hickman's book is the primary reference for these posts.
See you next post!
Missy
C 2024 Mistress Manifesto BlogSpot
Check my archives! You can also bring up posts by using the search feature embedded on the sidebar of the Google Blogger.
April 2013
HARRIETTE WILSON : One of Four Mistress Sisters of Regency England
July 2012
CORA PEARL
Brought Out Naked on a Silver Dish, Lined With Violets
P.S. The Image on the book cover is not Sophia! I'll be posting a lithograph of her and you'll probably not think of her as beautiful by today's standards. Which, I think, proves that personality counts!
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