Lea, acted by Michelle Pfeiffer, is a French, pre- World War I Paris, Bell Epoch courtesan who has, until she meets a certain younger man, she calls Cheri, prideful of not ever really falling in love enough to be hurt. Cheri was turned over to Lea by a somewhat older courtesan, a bit of a rival, who wants her son to get a good education in sex. Now that she has fallen in love and done her job well, her rival match-makes her son with an age-appropriate and pure young daughter of yet another Courtesan.
Lea uses all that she knows about being a woman, sex but not just, to get him back.
Taking place at a time when some Courtesans became wealthy, independent women by investing their money right, we none-the-less realize how small their world and opportunities are. What they want for their children is a more normal life and a rise into respectability.
Lea wins the young man back. How can he forget his perfect lover when his wife is so, well, inexperienced? In actuality Lea must turn him away when he comes back to her. an act of the most ferocious, selfless love. Her wisdom as she approaches mid-life is heartbreaking, which is why this is a good, thought-provoking and entertaining film. And it's great to see the actress Kathy Bates in a role in which she is seductive.
C 2017 Mistress Manifesto BlogSpot film review Missy Rapport
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