MARIA CALLAS : HER TEACHER-MENTOR NEGOTIATES FOR HER BUT INSISTS SHE IS TOO FAT : THE YOUNG MARIA LIVES THROUGH WARTORN GREECE

Chapter 3 of Lyndsy Spence's book, Cast a Diva, delves on the very beginnings of Maria Callas' professional career and with the demands of her teacher-mentor at the Athens Conservatory, where she was as a scholarship student of sorts. Because she still needed income, Maria later stated - though the teacher-mentor later denied this - that lodging with the woman meant paying for the roof over her head with housekeeping and dog walking duties. While the Diva-in-training dreamed of someday singing at the Metropolitan Opera in New York City, where she had been born, her teacher threatened to dump her as a student if she did not improve her appearance. Loose weight, dress better, fix your hair; these were the expectations.  After all, she was being groomed to be a star.

This same teacher-mentor advocated for her to have income from the Greek National Opera, where she was signed for two years. Maria was to have a job - a steady income - and have her voice protected as she studied by not appearing in their productions. It was a way to get her in and expose the student to the behind-the-scene ways of the opera. Her contract was negotiated as she continued to study at the Athens Conservatory and live with her teacher-mentor. The teenager's career was being carefully managed or she was being controlled.

Her first advocate, her mother, Litsa, complained that Maria only spent her income on music, pastries, and ice cream and was out of control of her eating, just as her teacher-mentor arranged for her to have hairdressing, manicures, and dress making. 

Then war interfered in everyone's lives. In late October 1940, when Maria was about seventeen, the Italians invaded Greece and the Greco-Italian War began. Maria and her family thought to flee to Cairo, Egypt, but Maria was an American citizen and not allowed to leave Athens, which was relatively safe. She was called "That American Bitch" as she began to realize her own talent and fight for herself. She did get parts in the opera in Athens, despite her teacher-mentor's pleas that she be "protected." Then World War II began when in 1941 Germany invaded. When there was a bombing and air-raid sirens went off, the sensitive Maria would vomit. They stayed in Athens.

Still under the age of eighteen, having conspired with her mother to lie about her age, Maria did not report to the Conservatory when she was sexually assaulted and almost raped by a fellow student (never identified).  At home her mother was not sympathetic, only mentioning that if he had raped her then she would have had to marry him and end her career.

Such attitudes are crazy-making to us in Western culture in 2024, but are not unfamiliar to all of us who have experienced some form of sexual harassment during our careers. 

Her world was small. At the conservatory other students called Maria fat and ugly and boys teased her as unattractive. Her mother continued to sew Maria clothing. Maria might have been eating out of garbage cans. In the 1941-1942 era there were food shortages, rationing, hunger. The family ate bread. This too could put weight on and gave Maria the appearance she was not famished. Olive oil and potatoes were procured on the black market by the man who was Keeping her sister and the family. There was always rumor about who was a collaborator because someone had food. People began to die of starvation and eat horses and donkeys.

The Nazi's took control of the National Opera and then Maria lost her contract and income. She had borrowed money from them and then later that year she was reinstated and given the opportunity to be an understudy. Those who had been so mean to her were kept out of the loop.

It was snowing and cold and there was no heating fuel.  The Red Cross reported it. Jews were deported from Thessalonika. 

Yet, opera went on, three hundred miles from Athens, in Thessalonika, where there was begging and prostitution. Maria's virtue was suspect.  So was her sister's and mother's.  Were they involved with Italian officers? Maybe Maria fell in love with an officer? Or perhaps Maria simply was gifted and had not succeeded against all odds without being touched? It's believed that she came home with money for singing for the Italians, though her own mother assumed it was from prostitution.

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